Edexcel Music AS 2016 'Tippett'

Melody - Major seconds sometimes replaced with ----- seconds

Minor

1 of 40

Melody - --------- in lower strings; imitation of the uninvited version (Bars 8-11)

Inversion

2 of 40

Melody - Melodic ---------- (Bar 126)

Sequencing

3 of 40

Melody - -------- Phrasing

Periodic

4 of 40

Melody - The movement is built largely on a small number of ------- ideas

Melodic

5 of 40

Rhythm -Rhythmic ------------- (Bars 95 - 106)

Ornamentation

6 of 40

Rhythm - In 8/8 but -------

Changes

7 of 40

Rhythm - Notated as ---- -----

AllaBreve

8 of 40

Rhythm - Influences are both ancient and ------

Modern

9 of 40

Rhythm - The song includes ---------- patterns

Syncopated

10 of 40

Harmony - The key of the piece is - -----

GMajor

11 of 40

Harmony - The piece involves a -------- cadence of IVb-V in Bars 20-21

Phrygian

12 of 40

Harmony - Tippett avoids repeating aggressive ----------- (e.g. Bars 1-4)

Dissonances

13 of 40

Harmony - C sharp minor passage is more dissonant to create ------- (Bar 80)

Tension

14 of 40

Harmony - Tippett uses harmonic --------- in his piece for harmonies to be created in parts

Intervals

15 of 40

Structure - It is in ------ Form

Sonata

16 of 40

Structure - The Exposition includes the 1st subject, then a ---------- and then goes on to the 2nd subject

Transition

17 of 40

Structure - The Development (after the Exposition) includes unrelated tonal centres such as A, C sharp major and - ---- -----

AFlatMajor

18 of 40

Structure - The Recapitulation (after the Development) returns to the original structure of the 1st subject, to the transition and then to the ------ -------

SecondSubject

19 of 40

Structure - The piece end with a ---- (after the Recapitulation)

Coda

20 of 40

Texture - Varied in numerous parts and doubling (Bars 1-4) such as in Orchestra 1 - the three upper strings ------ in 3 different octaves

Double

21 of 40

Texture - Mostly ------------; the violins in one orchestra imitate the violins in the other orchestra (Bars 221 and 228)

Contrapuntal

22 of 40

Texture - Occasionally ----------; Orchestra 2 answers Orchestra 1 a 3rd higher

Antiphonal

23 of 40

Texture - Occasionally ----------; Chordal, melody and accompaniment style (Bar 21 onwards)

Homophonic

24 of 40

Style - Original ------ of different elements

Fusion

25 of 40

Style - The Sonata Form structure was influenced by the well-known composer ---------

Beethoven

26 of 40

Style - English music for strings influenced by the --------- Century

Twentieth

27 of 40

Style - Influenced also by ------- Concertos

Baroque

28 of 40

Style - Influenced slightly by Jazz and -----

Blues

29 of 40

Tonality - No use of ----- or minor keys

Major

30 of 40

Tonality - May broadly be in '-'

A

31 of 40

Tonality - Not straightforwardly in A Major or A -----

Minor

32 of 40

Tonality - The First ------- is thought to be in 'A' (Bars 1-20)

Subject

33 of 40

Tonality - The ------ Subject is thought to be in 'G' (Bars 39-67)

Second

34 of 40

Forces - Written for two string ----------

Orchestras

35 of 40

Forces - Double -------- is used (e.g. Bars 209-212)

Stopping

36 of 40

Forces - The strings use --------- instead of staccato (e.g. Bars 51-52)

Pizzicato

37 of 40

Forces - The strings use a 'Sul taste poco a ---- Naturale' in Bar 113

Poco

38 of 40

Forces - All instruments are very ------ throughout

Active

39 of 40

Forces - Tippett includes ------ marks in some places to indicate the notes to be played by down bows and up bows

Bowing

40 of 40

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Edexcel Music AS 2016 'Tippett'

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Card 3

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Card 4

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Card 5

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