THT CRITICAL THEORIES

?

EXISTENTIAL APOLOGIA

  • desperate coping mechanism wo men use to survive,undermine devaluation, coercsion, enslavement etc 
  • she clings to society through enjoyment of simple pleasures-smoothing lotion on her hands 
  • recollects pleasant frivolities that owmen once enjoyed
  • alleviation from present misery

ORAL HISTORY freqeunt vehicle of the oppressed

  • turn to the personal narrative as a means of preserving experince 
  • offred offers inside view of effecs of political chnage ti ordinary citizens 

SPECUALTIVE FICTION

  • intenetionally unsettling blen of surmise and warning based on current policitical social and relig trends 
  • offred compelled to tell her story 
  • her bleak fictional mnarratve connects real events of 1980s with possibel rramifications for a society gone too far into conservatism and mutated form of ww1 facsism 

WOMEN

  • aunts intense efforts at subordination and indoctrination
  • turning women agaisnt women 
  • though off resists brianwash-her refrence to aunt kydias redious precepts and aphirsms-show the success of the regime 
  • admits to enjoying torturing janine 
  • and when japanese tourists ask her if happy she says yes
  • she teeters on brink of total acquiescence-scares her
  • moira and mother subvert authority 
  • but she does possess a sense of humour 
  • near mid life when values mothers campaigns 
  • wife-drawn from phyllis 
  • GIVEN SUBJECT MATTER FEMALE NARRATOR ETC 
  • CORAL ANN HOWELLS ARGUES THAT ATWOOD ;CHOICE OF DEAMLE NARRATOR TURNS TO TRADITIOANLLY MASCULINE DYSTOPIAN GENRE UOSIDE DOWN'

PSYCHOLOANALYTICAL CRITISCMS 

  • human behaviour determined by desires and drives 
  • off becomes aware of this through dreams etc 
  • night sections expression of hopes fears and desires etc 

FOCAULDIAN

  • he wrote about roture punishemtn and discipline and how modern society creates docile bodies via surveillance and their internalisation 
  • gilead is 'within you'
  • HEIDI SLETTEDAHL MACPHERSON describes how republic fucntions 'overt mechanism of control'

POSTMODERNISM

  • moving…

Comments

No comments have yet been made