The work has an idiomatic keyboard style, involving a range a textures:
- Bars 1-4: Mainly four-part free counterpoint
- Bars 5-8: Some imitation of the melody in the inner parts
- Bars 9-16: Essentially chordal, with ornamental quavers passing from the inner, to uppermost, then inner part again
- Bars 17-32: Brief imitation within the three-part texture; then running semiquavers predominate
- Bars 33-39: Generally homophonic
- Bars 39-41: Antiphony/dialougue between 6ths in the right hand and 3rds in the left hand
- Bars 42-64: Some imitation
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