Stravinsky - Pulcinella Suite: Sinfonia, Gavotta and Vivo 0.0 / 5 ? MusicDeveloping Musical UnderstandingA2/A-levelEdexcel Created by: rosariorospo1Created on: 06-01-17 15:15 Performing Forces CLASSICAL Written for a chamber orchestra of 32 players Tutti orchestral sections BAROQUE Separate solo string group - feature of Baroque pieces in Concerto Grosso style (Corelli) 1 of 7 Texture CLASSICAL Melody/treble dominated homophony Quasi-Alberti bass in bassoon part BAROQUE Trio Sonata origin - 2 violins play in 3rds above a quaver bass (Gallo) Polyphony - oboe imitated by bassoon alongside cello countermelody 2 of 7 Structure CLASSICAL Theme and Variations/Binary Form in Gavotta Rounded binary form in Sinfonia and Vivo BAROQUE Ritornello in Sinfonia 3 of 7 Tonality CLASSICAL Circle of fifths Perfect cadences used to reinforce the key BAROQUE Sinfonia beings in G and modulates to D in bar 4, like Gallo's original. 4 of 7 Harmony CLASSICAL Root position and first inversion chords BAROQUE Suspensions in Sinfonia Retardations in Gavotta 5 of 7 Melody CLASSICAL Simple, balanced phrase structure Rising sequence in Violin I Rapid scalic passages Melody outlines broken chords Repeated notes Stepwise, melodic movement BAROQUE Exaggerated ornamentation Gruppetti/grace notes Turns Quintuplet turns 6 of 7 Rhythm and Metre CLASSICAL Simple time - 4/4 BAROQUE Syncopation Bass in contrary motion with treble Baroque players may well have played ornaments using rhythms seen in Variation 2 7 of 7
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