PURCELL: SONTAT FOR TRUMPET AND STRINGS IN D MAJOR Z.850 - BAR BY BAR THRID MOVEMENT - ALLEGRO

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  • Created by: AnnabellP
  • Created on: 13-10-17 09:38

BAR BY BAR THRID MOVEMENT

  • RETURN TO JOLLITY
  • GIGUE-LIKE FINALE
  • D MAJOR
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BARS 50-64

  • STRIKING, SKIPPING MEODIC IDEA OF FOUR BARS THAT FOLLOWS REGULAR RHYTHM, IMMEDIATELY ANNOUNCED ON VIOLINS
  • THREE SUBSEQUENT ENTRIES
  • FUGAL TEXTURE
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BARS 65-81

  • TWO IDEAS
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BARS 65-81: 65-75

  • NON-IMITATIVE ANITPHONY BETWEEN REPEATED SEMIQUAVER CHORDS IN STRINGS AND FALLING TRIADIC SHAPES IN TRUMPET
  • CULMINATES IN A STRONG CADENCE IN DA MAJOR - SENSE OF HEMIOLA
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BARS 65-81: 76-81

  • FLOWING SEMIQUAVERS WITH SOME SIMILARITIES WITH OPENING TUNE
  • CADENCE IN 80-81 - STRONG HEMIOLA
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BARS 82-112

  • QUASI-FUGAL SECIONT
  • TUNE SOUNDS SIMILAR TO OPENING OF MOVEMENT
  • ORIGINAL TUNE TURNED UPSIDE DOWN - USING THE INVERSION
  • TWISTS MUSIC TO CADENCE IN B MINOR AT BARS 93-95
  • TRUMPET HEARD WITH FINAL ENTRY OF INVERSION AT BAR 96
  • HIGH SPIRITED IMITATION BETWEEN TRUMPET AND STRINGS - SIMPLE SHAPE OF RISING 4TH AND FALLING 3RD
  • SINGLE STATEMNT OF ORIGINAL FUGAL TUNE AND BIG D MAJOR CADENCE - HEMIOLA
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BARS 113-129

  • REPEATING NOTE FIGURE FISRT HEARD IN BAR 65
  • REPEATING SEMIQUAVERS NOW IN TRUMPET AS WELL AS STRINGS - EFFECT IS DRUM-LIKE - 11 BARS OF TONIC ROOT POSITION CHORDS
  • SHORT MELODIC PHRASE DESCENDING FROM TRUMPET'S HIGH A BRINGS SONATA TO ITS CLOSE
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