Structure
- Created by: Harriet
- Created on: 03-04-14 20:01
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- Structure
- Beethoven Septet
- 1st movement of 6 in style of serenade.
- Sonata Form - Slow intro and long coda (longer than most classical)
- Defined by Tonality- typical sonata form
- Introduction b1-8.
- EXPOSITION - 1st subject (bar 19-39), Transition Material, 2nd Subject (bar 53-98), Codetta (bar 99-111)
- DEVELOPMENT - bar111-153
- RECAPITULATION - bar 154-233
- CODA - bar 233- 288
- Schumann Kinderscenen
- No. 1
- Rounded Binary Form A:BA - with repeats
- No. 3
- Rounded Binary Form written out repeat of A section with conventional BA repeat.
- No. 11
- Symmetrical Rondo Form - ABACABA - some sections repeated.
- No. 1
- Debussy Sarabande
- Can be said to be Binary form
- Typical of Sarabande
- Section A = bars 1-22
- Section B = bars 23-72
- modified repeat of bars 1-8 at bars 42-49 similar to rounded binary
- Bars 60-61 refers back to 9-10 and bar 66 is a transposition of bar 5.
- Can be said to be Binary form
- Sweenlinck
- Three Sections that can be labeled A, B and C.
- Varied repeat of each section
- Section A and A' both end in A minor perfect.
- Sections B and B' both end in A minor imperfect (Phrygian)
- Sections C and C' both end in A minor perfect cadences.
- Bach Concerto no. 4
- Vodersatz
- memorable musical gesture
- Use of Ritornellos (little returns)
- Fortspinnung
- 3 EPISODES
- 1st Episode bar 83-137
- Ends in the 2nd ritornello bar 137-157
- 2nd Episode bars 157-209
- Ends in 3rd Ritornello bars209-235.
- 3rd Episode bars 235-322
- Ends in Fourth Ritornello bars 324-244.
- 1st Episode bar 83-137
- Vodersatz
- Beethoven Septet
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