Purcell movement 2
- Created by: cameron1107
- Created on: 28-03-19 09:14
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- Purcell movement 2
- Texture
- Homorhythmic
- Harmony
- B minor (relative)
- Large use of suspensions
- 7-6 suspension (bb. 9.1/2)
- 4-3 suspension (bb.10.1/2)
- Chromatic harmony (bar 3)
- Notes of anticipation
- Perfect cadence bar 4 with 4/3 suspension
- Harmony
- B minor (relative)
- Large use of suspensions
- 7-6 suspension (bb. 9.1/2)
- 4-3 suspension (bb.10.1/2)
- Chromatic harmony (bar 3)
- Notes of anticipation
- Perfect cadence bar 4 with 4/3 suspension
- Perfect cadence bar 4 with 4/3 suspension
- Bars 5-8 repeat of same material but in E minor (subdominant)
- The cadence ends with a tierce de Picardie (bar 8) in prep for modulation to A major
- Augmented triad (bar 13)
- Tierce de Picardie at the end to switch from D minor to the final D major chord (preparing for the final movement)
- Harmony
- Perfect cadence bar 4 with 4/3 suspension
- Bars 5-8 repeat of same material but in E minor (subdominant)
- The cadence ends with a tierce de Picardie (bar 8) in prep for modulation to A major
- Augmented triad (bar 13)
- Tierce de Picardie at the end to switch from D minor to the final D major chord (preparing for the final movement)
- Melody
- Sequence (up a 4th) of first 2 bars (bb.5-6)
- Scalic melody
- Trills at every cadential point
- e.g. perfect cadence bar 4 (trumpet part)
- (bb.15.4-18) a sequence of (bb.8.4-14)
- Chromatic rising melody (3)
- Section B melody is entirely conjunct
- Phrases all begin with an anacrusis (section B)
- Rhythm
- Doted notes used at cadences
- Structure
- Binary form
- A (1-4)
- A2(bb.5-7.3)
- B (bb.7.4-14.3
- B2 (bb.14.4-20)
- Binary form
- Texture
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