My last hope for the crime paper
- Created by: ya_boi_ambre
- Created on: 25-05-18 10:43
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- NO THANKS TO YOU ALICE
- Atonement
- Context
- Postmodern
- Before WWII - 1935
- Classist Britain
- Other Texts
- The Cement Garden - child criminal
- The Lovely Bones - postmodern - victim perspective - child perspective
- Macbeth - Lady Macbeth's strong feelings of guilt
- Crime Elements
- Criminals - Paul, Briony & Lola
- Victims - Robbie, Cecilia, and Lola (and arguably Briony)
- Love - Cecilia & Robbie (and arguably Briony for Robbie)
- The Act - Briony's false accusation of Robbie, and Paul's **** of Lola
- Guilt - Briony's lifelong guilt; Paul and Lola's lack of guilt; society's lack of guilt; Robbie's guilt
- Marxism - classist society - Paul is not suspected, Robbie is immediately - bourgeosie control over the proletariot
- Feminism - Briony's inability to atone could be a result of her position in society and her 'female weakness'
- Context
- The Murder of Roger Ackroyd
- Context
- Golden age of detective fiction
- 1920s England
- The Domestic Violence Crime and Victims Act - not passed until 2004
- Other Texts
- Murder is Easy - lack of criminal (Honoria Waynflete) guilt
- Sherlock Holmes - first person narrative - doctor
- Crime Elements
- Criminals - Sheppard & Mrs Ferrars (and arguably Poirot)
- Victims - Ashley Ferrars, Mrs Ferrars and Roger Ackroyd (and arguably Sheppard)
- The Act - Sheppard's murder of Roger Ackroyd and blackmail of Mrs Ferrars; and Mrs Ferrars' murder of her husband and suicide
- Love - Flora & Blunt
- Guilt - Sheppard's lack of guilt and Mrs Ferrars' guilt
- Marxism - capitalist greed - Sheppard's blackmail of Mrs Ferrars
- Feminism - Caroline is portrayed over all positively, through Poirot and Christie (although Sheppard portrays her as a gossip)
- Context
- Atonement
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