Jane Eyre - Thornfield Part 1

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  • Created by: RavenF
  • Created on: 01-12-19 16:25
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  • Thornfield
    • Governess
      • Socially awkward
        • Doesn't fit in with servants or her employers
        • Class of her own
    • Mrs Fairfax
      • Kind, welcoming
      • Treats Jane as an equal; 'The equality between her and me was real...my position was all the freer'.
      • In a way, gives Jane her independence.Respects her, admires her French etc.
      • 'Draw closer to the fire' - Jane has found someone who appreciates her.
    • Jane closes door on her childhood
      • Opening lines - Chapter 11 - 'drawing up the curtain' upon a new chapter of her life, young adulthood.
      • Reader intrigued to find out if this new chapter will bring as much sorrow/ disappointment as before.
    • Mr Rochester
      • Similarities with Thornfield Hall
        • 'Stately and imposing' / 'Of proportions not vast, though considerable'
        • 'Mighty old thorn tress, strong, knotty and broad as oaks' - strong physically, 'knotty' describes imperfections of his character and his confusing nature. 'Broad': able to take on problems, one can lean on him for support.
      • First meeting with Jane
        • Slips on ice, Jane assists him onto his horse - foreshadows how Jane will help Rochester someday.
      • Byronic hero - dark and moody, intense, mysterious, emotional, troubled, arrogant.
        • High level of intelligence, perception
        • Struggle with integrity
          • Rochester doesn't mention his existing wife.
          • Was willing to live with Jane as his mistress.
      • Chapter 15 - Makes Jane his confidant
        • Tells her about Celine Varens, Adeles mother
        • Contrasts Jane to Celine's infidelity,
          • Suggests growing attachment to Jane - he doesn't think she will let him down like Celine did.
    • Gothic/ supernatural
      • Grace Poole
        • 'Last sound I expected to hear...curious laugh; distinct, formal, mirthless' - foreshadowing of the wedding, last thing Jane expects is Rochester having a second wife.
        • Grace Poole's laugh - 'tragic, as preternatural a laugh as any I have ever heard.
        • Conversation with Jane - speech tense, suggests uneasiness and suspense
          • Bronte creates suspense/ curiosity through Jane's running commentary of Grace's appearance and behaviour
      • Attic at Thornfield
        • 'Very chill and vault like air' / an eerie impression made by that wide hall'
        • 'If there were a ghost at Thornfield Hall, this would be its haunt.
        • Similar to Red Room: Both act as prisons to their inmates
          • Jane & Bertha Mason suggested to be similar - neither has anyone to turn to, both locked up and ignored by the world.
    • Fire
      • Symbolise passion/ romance
        • Jane's passion we have seen in the red room/ when Helen is being mistreated at Lowood
      • Warm and comforting sensation
        • Introduced to Thornfield Hall by sitting by an 'excellent fire', warming away the numbness and chill'
          • Jane's life starting to become warmer and more exciting after a cold/ harsh childhood.
        • 'Draw closer to the fire'
          • Jane is being appreciated, cared for
        • When Rochester first arrives, Thornfield becomes alow
      • Chapter 15 - Fire in Rochester's bed
        • Symbolises mystery Jane encountered in attic, the laugh
          • Mystery now has a more threatening nature
        • Jane saves hiim - symbolises/ foreshadows how Jane will save him with her love after the fire at the end of the novel.
    • Ice
      • Rochester slips, Jane is able to help him
        • Symbol of drawing 2 people together to create opposite sensation, fire, in form of passion and romance.
    • Jane's behaviour
      • Jane's hopes
        • We see she is thriving on Rochester's attention
          • 'So happy, so gratified...the blanks of existence were filled up' - Her reaction to his confidence in her.
        • 'Sweet as the hills of Beulah' - Beulah is Hebrew for Marriage, shows her subconscious desire to be wedded to Rochester.
      • Jane's fears
        • 'Billows of trouble rolled under surges of joy'
          • Jane is subconsciously aware that amidst all her joy, there must be hidden troubles.
        • Fears about Rochester leaving
          • 'If he does go, the change will be doleful...How joyless sunshine and fine days will seem!'
        • Jane fears Grace Poole - 'Opened the door with a trembling hand'
          • She tries to get Rochester to remove her from the household.
    • Jane's paintings
      • Reflect her awareness of her dreams
      • Show how dismal and meaningless her life was at Lowood
      • Reflect her inner passion/ desperation to get out in the world/ find purpose in her life.
    • Jane's portraits
      • Self-portrait - 'Portrait of a Governess, disconnected, poor and plain'
        • Reflects Victorian attitudes - governesses should be 'seen, not heard' - No connections, no element of attractiveness, serve the wealthy quietly.
        • Draws a harsh, unatrractive portrait of herself
          • Shows her humility and maturity, she isn't vain.
      • Portrait of 'the loveliest face you can imagine' - Blanche Ingram
        • She compares this to her harsh self-portrait to quell her feelings when she starts thinking that Rochester likes her
          • Forces her to realise that she doesn't stand a chance against Blanche Ingram.

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