Jane Eyre - Thornfield Part 1
- Created by: RavenF
- Created on: 01-12-19 16:25
View mindmap
- Thornfield
- Governess
- Socially awkward
- Doesn't fit in with servants or her employers
- Class of her own
- Socially awkward
- Mrs Fairfax
- Kind, welcoming
- Treats Jane as an equal; 'The equality between her and me was real...my position was all the freer'.
- In a way, gives Jane her independence.Respects her, admires her French etc.
- 'Draw closer to the fire' - Jane has found someone who appreciates her.
- Jane closes door on her childhood
- Opening lines - Chapter 11 - 'drawing up the curtain' upon a new chapter of her life, young adulthood.
- Reader intrigued to find out if this new chapter will bring as much sorrow/ disappointment as before.
- Mr Rochester
- Similarities with Thornfield Hall
- 'Stately and imposing' / 'Of proportions not vast, though considerable'
- 'Mighty old thorn tress, strong, knotty and broad as oaks' - strong physically, 'knotty' describes imperfections of his character and his confusing nature. 'Broad': able to take on problems, one can lean on him for support.
- First meeting with Jane
- Slips on ice, Jane assists him onto his horse - foreshadows how Jane will help Rochester someday.
- Byronic hero - dark and moody, intense, mysterious, emotional, troubled, arrogant.
- High level of intelligence, perception
- Struggle with integrity
- Rochester doesn't mention his existing wife.
- Was willing to live with Jane as his mistress.
- Chapter 15 - Makes Jane his confidant
- Tells her about Celine Varens, Adeles mother
- Contrasts Jane to Celine's infidelity,
- Suggests growing attachment to Jane - he doesn't think she will let him down like Celine did.
- Similarities with Thornfield Hall
- Gothic/ supernatural
- Grace Poole
- 'Last sound I expected to hear...curious laugh; distinct, formal, mirthless' - foreshadowing of the wedding, last thing Jane expects is Rochester having a second wife.
- Grace Poole's laugh - 'tragic, as preternatural a laugh as any I have ever heard.
- Conversation with Jane - speech tense, suggests uneasiness and suspense
- Bronte creates suspense/ curiosity through Jane's running commentary of Grace's appearance and behaviour
- Attic at Thornfield
- 'Very chill and vault like air' / an eerie impression made by that wide hall'
- 'If there were a ghost at Thornfield Hall, this would be its haunt.
- Similar to Red Room: Both act as prisons to their inmates
- Jane & Bertha Mason suggested to be similar - neither has anyone to turn to, both locked up and ignored by the world.
- Grace Poole
- Fire
- Symbolise passion/ romance
- Jane's passion we have seen in the red room/ when Helen is being mistreated at Lowood
- Warm and comforting sensation
- Introduced to Thornfield Hall by sitting by an 'excellent fire', warming away the numbness and chill'
- Jane's life starting to become warmer and more exciting after a cold/ harsh childhood.
- 'Draw closer to the fire'
- Jane is being appreciated, cared for
- When Rochester first arrives, Thornfield becomes alow
- Introduced to Thornfield Hall by sitting by an 'excellent fire', warming away the numbness and chill'
- Chapter 15 - Fire in Rochester's bed
- Symbolises mystery Jane encountered in attic, the laugh
- Mystery now has a more threatening nature
- Jane saves hiim - symbolises/ foreshadows how Jane will save him with her love after the fire at the end of the novel.
- Symbolises mystery Jane encountered in attic, the laugh
- Symbolise passion/ romance
- Ice
- Rochester slips, Jane is able to help him
- Symbol of drawing 2 people together to create opposite sensation, fire, in form of passion and romance.
- Rochester slips, Jane is able to help him
- Jane's behaviour
- Jane's hopes
- We see she is thriving on Rochester's attention
- 'So happy, so gratified...the blanks of existence were filled up' - Her reaction to his confidence in her.
- 'Sweet as the hills of Beulah' - Beulah is Hebrew for Marriage, shows her subconscious desire to be wedded to Rochester.
- We see she is thriving on Rochester's attention
- Jane's fears
- 'Billows of trouble rolled under surges of joy'
- Jane is subconsciously aware that amidst all her joy, there must be hidden troubles.
- Fears about Rochester leaving
- 'If he does go, the change will be doleful...How joyless sunshine and fine days will seem!'
- Jane fears Grace Poole - 'Opened the door with a trembling hand'
- She tries to get Rochester to remove her from the household.
- 'Billows of trouble rolled under surges of joy'
- Jane's hopes
- Jane's paintings
- Reflect her awareness of her dreams
- Show how dismal and meaningless her life was at Lowood
- Reflect her inner passion/ desperation to get out in the world/ find purpose in her life.
- Jane's portraits
- Self-portrait - 'Portrait of a Governess, disconnected, poor and plain'
- Reflects Victorian attitudes - governesses should be 'seen, not heard' - No connections, no element of attractiveness, serve the wealthy quietly.
- Draws a harsh, unatrractive portrait of herself
- Shows her humility and maturity, she isn't vain.
- Portrait of 'the loveliest face you can imagine' - Blanche Ingram
- She compares this to her harsh self-portrait to quell her feelings when she starts thinking that Rochester likes her
- Forces her to realise that she doesn't stand a chance against Blanche Ingram.
- She compares this to her harsh self-portrait to quell her feelings when she starts thinking that Rochester likes her
- Self-portrait - 'Portrait of a Governess, disconnected, poor and plain'
- Governess
Comments
No comments have yet been made