Folk Traditions
- Created by: lilac123
- Created on: 31-01-21 17:37
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- Folk traditions
- Early Classical
- not used in this period
- folk tradition didn't emerge until the 19th century
- links to dance in symphonies instead
- minuet and trio
- courtly dances from Baroque period
- Stamitz no.2
- minuet and trio
- Mature Classical
- elements of folk tradition heard in classical symphonies
- move towards folk in Haydn's works
- the use of Austrian, Hungarian or Croatian folk
tunes or melodies, harmonies and rhythms
- common in all of Haydn’s symphonies
- Croatian folk music
- Haydn 103
- finale
- theme claimed to be based on the Croatian folk song Divoj?ica potok gazi
- finale
- Haydn 104 finale
- opening theme is said to be based on the song Oj, Jelena, Jelena, jabuka zelena
- Haydn 103
- father was a folk musician
- in comparison to folk music, Haydn's versions were more interesting and expressive
- shows his creativity as a composer
- the use of Austrian, Hungarian or Croatian folk
tunes or melodies, harmonies and rhythms
- Early Romantic
- Beethoven
- Pastoral Symphony
- Beethoven makes use of simple folk-like melodies often over drones and pedals in both the first and last movements.
- The use of ‘pastoral’ keys such as F major, and metres such as 6/8 were also common features of folk
- “Merry Dances of the Countryfolk” that he offers as the third movement.
- The last movement imitates a very specific type of Shepherd’s song known as a ranz des vaches
- The opening melody is almost identical to this traditional melody, played by Swiss shepherds on an alphorn.
- Pastoral Symphony
- Mendelssohn
- Italian Symphony
- Mendelssohn uses a range of dance and folk inspirations for this symphony, some of them
obviously connected with the Italian theme
- The last movement is explicitly modelled on the Italian Saltarello, a folk dance that involves energetic leaps and skips.
- The drones at the beginning clearly support the folk-dance feel.
- Mendelssohn uses a range of dance and folk inspirations for this symphony, some of them
obviously connected with the Italian theme
- composers were influenced by nationalism so put a lot of folk elements into their symphonies, they were also inspired by places they had been.
- Italian Symphony
- Beethoven
- Late Romantic
- Dvorak no.9
- The music is full of modal inflections, like the flattened seventh in the main theme of the last movement
- many syncopations that could loosely be inspired by almost any folk tradition
- including that of Dvorak’s native Czechoslovakia and/or the Afro-American and native American music
- Smetana Ma Vlast
- the main tune from Vltava is a melody that pops up in a variety of folk cultures from Scotland to Ukraine.
- Dvorak no.9
- Early Classical
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